Two Tow-Teams Ride Biggest Swell to Ever Hit British Isles

Duncan Scott, 1st December 2007, Mullaghmore Head, Ireland: photo Kelly Allen

from Surfers Villagee (via Surfrider blog)

Surfersvillage Global Surf News, 1 December, 2007 : – – As Ireland was battered today by the largest ocean swells ever predicted by the Marine Institute’s weather buoys (14 metres), a group of four surfers braved the stormy conditions to successfully take on the biggest waves ever ridden in the British and Irish Isles, off Mullaghmore Head, south Donegal Bay, Ireland. Duncan Scott (Newquay, Cornwall, UK), Alistair Mennie (Portrush, N.Ireland), Gabe Davies (Newcastle, UK) and Ritchie Fitzgerald (Bundoran, Co. Donegal, Ireland) motored out at first light on two jetskis to await the arrival of the massive, storm-driven swells.

pics at BBC

video link

Loudness Wars Explained

What a great find! Somebody on a audio recording board posted this link.

It’s an animated movie explaining “loudness”. It’s a high average volume level. Meaning there’s less softer parts in the music. If you read this you probably have a chance of enjoying old music. You probably think about the old recordings as being played by real musicians, on real instruments, projecting real emotions and so forth. All fine an dandy with me. But that’s not all there is to it. They recorded it differently! The guys at the record companies enjoyed loud parts coming after quieter parts. A scary movie is most scary when nothing is really happening, but your senses tell you that something could and probably will happen. Then when all the screams come on, its not scary anymore. You are scared in the fracture of a second actually, the transition from quiet to loud.

With modern music it’s like horror screams all of the time. No wonder most people eventually turn away from it. At first (your early teens) you think “cool – it’s really loud”. But as an adult you will find that the dimensions offered in music are richer for your enjoyment.

Many professionals in the recording industry think that this loudness war is one thing that is hurting the music business of today. Also consider the fact that an artist will sound wimpy on stage by comparison to his recordings. You didn’t read about booed off the stage superstars in the 50s, 60s and 70s. Or even the 80s. It’s fans robbed off another illusion. And they start realizing they have one voice.

Captain Paul Watson

Apparently a man with a wide understanding of the worlds mechanics. Featured in current New Yorker Magazine.
link

“One afternoon last winter, two ships lined up side by side in a field of pack ice at the mouth of the Ross Sea, off the coast of Antarctica. They belonged to the Sea Shepherd Conservation Society, a vigilante organization founded by Paul Watson, thirty years ago, to protect the world’s marine life from the destructive habits and the voracious appetites of humankind.

Surf Art! by Rodney Sumpter

surf art book rod sumpter

Surf legend Rod Sumpters guide to the art and graphics of surfing. Hundreds of images of everything from old movie posters, logos, surf shop signs spanning decades and providing a great resource for designers, collectors or anyone interested in the graphic history of surfing. Items include valuations.

Surf Art! at Amazon

New Exotica CD

I don’t have it, but judging by the blurb alone it’s a sure shot.


Various Artists-Paradise Lost & Sound

Here’s what they say at Fleamarket Music:

Flea Market Music recently discovered a treasure trove of Island-inspired songs written in the 1950s and early ’60s by well-known LA studio musicians Ken Darby, Perry Botkin Sr., Mel Henke and others. Many of these tunes (“Legend Of The Rain,” “Hana Maui,” “Leis Of Jazz,” “China Clipper”) were originally recorded by Hawaiian exotica king, Arthur Lyman. Paradise Lost & Found features new recordings of these songs by WAITIKI, a group of extraordinary musicians who have a passion for this kind of jazzy exotic music. Other guest artists include uke sensation Abe Lagrimas, Jr. playing Perry Botkin’s 1950 instrumental “Ukey-Ukulele” and Chris Kamaka (of Kamaka Ukulele and Ho’okena fame) singing the Ken Darby classic “Legend Of The Rain.” Other standout tracks include “Duke Of The Uke” with Four Preps lead singer Bruce Belland. Rounding out the project are a few Jim Beloff songs including “Sunrise At Haleakala,” “The Hawaiian Turnaround” (with music by uke master, Herb Ohta) and “I’m Carrying A Tiki Torch For You” performed by King Kukulele and the Friki Tikis. Ukulele is featured on about half the tracks but it’s all fun. 14 tropical tracks!

Thanks to Tiki King at Tiki Central

The Surfing World Loses a True Waterman

From the Surfrider Foundation’s MySpace blog:

The surfing world lost a true waterman this week, with the passing of John Kelly at the age of 88.

Not only was Kelly instrumental in defining modern surfboard design, he was seminal coastal environmentalist, founding Save Our Surf in 1961.

Aloha John!