via Moritz ®

A film by Denny Tedesco
What is the Wrecking Crew?

The Wrecking Crew were a group of Studio Musicians in Los Angeles in the 60s who played on hits for the Beach Boys, Frank Sinatra, Nancy Sinatra, Sonny and Cher, Jan & Dean, The Monkees, Gary Lewis and the Playboys, Mamas and Papas, Tijuana Brass, Ricky Nelson, Johnny Rivers and were Phil Spector’s Wall of Sound. The amount of work that they were involved in was tremendous. …

here’s the trailer

Song List (the links go straight to iTunes):

5th Dimension
Let the Sunshine in/Aquarius
Stone Soul Picnic
Up Up and Away
One Less Bell to Answer

Association
Windy
Never My Love

Beach Boys
California Girls
Don’t Worry Baby
Fun Fun Fun
God Only Knows
Good Vibrations
I Get Around
Sloop John B

Byrds
Mr. Tamborine Man
Turn Turn Turn

Glen Campbell
By The Time I Get to Phoenix
Gentle on My Mind
Wichita Lineman

Captain and Tennille
Love Will Keep Us Together

Carpenters
Close to You
We’ve Only Just Begun

Cher
Gypsies, Tramps and Thieves
Half Breed

Chipmunks
Chipmunks Theme

Nat King Cole
Ramblin Rose

Sam Cooke
Twisting the Night Away
You Send Me

Crystals
And He Kissed Me
Da Doo Ron Ron
He’s A Rebel

Bobby Day
Rockin’ Robin

Defenders
Taco Wagon

Shelley Fabares
Johnny Angel

Richard Harris
MacArthur Park

Jan & Dean
Dead Man’s Curve
Surf City
Little Old Lady From Pasadena
Balboa Blue

Gary Lewis and the Playboys
Everybody Loves a Clown
Sure Gonna Miss Her
This Diamond Ring

Barry McGuire
Eve of Destruction

Mamas & Papas
California Dreaming
Creque Alley
Dedicated to the One I Love
Monday Monday

Henry Mancini
Pink Panther

Marketts
Out of Limits
Surfer Stomp

Dean Martin
Every Body Loves Somebody

Scott McKenzie
Are You Gonig to San Francisco

Monkees
Mary Mary
Valerie

Chris Montez
Let’s Dance

Ricky Nelson
Fools Rush In

Wayne Newton
Danke Schoen

Jack Nitzsche
Lonely Surfer

Harry Nilsson
Everybody’s Talking At Me (Echoes)

Partridge Family
Come on Get Happy

Elvis Presley
A Little Less Conversation
Viva Las Vegas

Paul Revere & the Raiders
Indian Reservation

Righteous Brothers
Unchained Melody
You’ve Lost That Loving Feeling

Rip Chords
Hey Little Cobra

Johnny Rivers
Poor Side of Town

Tommy Roe
Dizzy

Ronettes
Be My Baby
I Saw Mommy Kissing Santa Claus

Routers
Let’s Go

Sandpipers
Guantanamera

Lalo Schifren
Mission Impossible

Simon and Garfunkel
Mrs. Robinson

Frank Sinatra
Strangers in the Night
That’s Life

Nancy Sinatra
These Boots Were Made for Walking
Drummer Man

Sonny and Cher
The Beat Goes On
I Got You Babe

T-Bones
No Matter What Shape Your Stomach Is In

Nino Tempo & April Stevens
Deep Purple

Tijuana Brass
Lonely Bull
Spanish Flea
Taste of Honey
Whipped Cream
Zorba the Greek

Ike and Tina Turner
River Deep Mountain High

Ritchie Valens
Donna

Bobby Vee
The Night Has a Thousand Eyes

Ventures
Hawaii 5-O

Mason Williams
Classical Gas

Roger Williams
Born Free

The legendary filmmaker being Bud Browne.

from Pacific Longboarder

The San Luis Obispo International Film Festival is delighted to present an historic and exciting night honoring the world’s first surf filmmaker, 95-year old Bud Browne. Now a local resident of the Central Coast, Bud will be honored here by many surfing greats, including surfers Gerry Lopez, Joel Tudor, Peter Cole, Linda Benson, Fred Van Dyke, Walter Hoffman, and surf cinematographer Jack McCoy. Buzzy Trent’s daughter, Anna Moore is helping to coordinate the event.

On Thursday, March 13, 2008, this group of legendary surfers from around the world, will take the stage at the grand Fremont Theatre in downtown San Luis Obispo to pay tribute to the man who inspired modern surf culture by creating the first commercial surf films ever. Surfing the 50’s will be the featured film, and the evening will also include a raffle, Q & A session and a post-screening Surf Party in the old Pier One building on Monterey St. (generously donated by Copeland Properties) with live music, surf films and the opportunity to meet the surf celebrities in attendance.

read more here

See the full movie here, it’s totally free, since it’s public domain!

Thanks to pappaythesailor on Tiki Central.

Court decision on YouTube
My previous notes around here and then here.

Thanks to Dirtbag Surfer for the info.

From the days A&Rs would do the occasional string arrangement. The Billboard Hot 100 sounded different. This particular one from 1963 reminded me of the days I did full song chart themed mix tapes of, say, summer 1964, southern Calfifornia local radio charts music. That way I had a nice helping of surf instros, among their contemporaries. I would pop it in the car-radio-tape player, blasting out of 2 sixties Dual speakers in the back of my beetle on the way to St. Peter with my 9ft board on the roof. You never know what it feels like until you try it.

kfxm/kfmen radio blogspot

He directed the biggest bollywood movie of all time: Sholay. Here’s a movie song (composed by R.D. Burman) on YouTube.

From the BBc South Asia website:

Veteran Bollywood film producer GP Sippy has died in the western Indian city of Mumbai at the age of 93.

Mr Sippy was best known as the producer of Bollywood’s biggest ever commercial success, Sholay (Flames).

read more at BBC

Thanks to Ivan on Surfguitar 101 here‘s a link to Jet Harris performing one of his big hits in 1962, The Man With The Golden Arm. Fender Bass VI involved. It starts right after Hawaiian War Twist.

YouTube link

great 70s style skating videos online

Saturday september 22nd was all about Tiki. The attendance could have been stronger – bad mana Berlin!

But many Ti-key figures came from different parts of europe. The Klang & Kleid guys (Switzerland‘s Lurker, who organized the complete series of events, what an effort, especially considering the timing problems…), of course Sven Tiki and Tanja & Jochen Hirschfeld were there in person to present their respective Tiki documentations.
I also met Virani (from Paris) and Sian the Beachcomber and Trader Jim (of Pocketiki from England), Carola & my old buddy Andreas, Liz & Chris from Cambridge and even though we live in the same city I hadn’t seen Moritz® in a while, but there he was.

Sven, as usual, had prepared a thoroughly enlightening slide-show on the Tiki Modern subject. He was first to present it in the Eiszeit Kino, not before just about everybody had sampled at least one of the 4 great cocktails supplied by the Aloha Luau. The Jungle Bird was a great new discovery for me. And the new book was on display (and for sale) to the enthusiasts. Everybody who bought one had it signed by Sven – they now have quite a heavyweight coffeetable load, considering this new book Tiki Modern has more and bigger pages, and more great pictures than the already huge Book of Tiki! The layout looks cleaner than in the Book of Tiki – which goes very nicely together with the modern subject.

Intermission allowed for another taste from Aloha Luau’s menu and then it was Jochen’s turn. He held a short speech explaining the pre-history of the Armchair Travelling project and the DVD started rolling in the darkened cinema. As I was involved with creating 8 tracks for the DVD’s soundtrack I had seen parts before and Jochen had told about his travels and who he had talked to in the course of making the film. But seeing the first part (about the 30s – 60s origins and beginnings of Tiki pop-culture) condensed into only 60 minutes, the giant afford that was done was at hand. It is something else. There were hours and hours of material edited into what we were presented here, in a great way. But you have to bear in mind that the two DVDs are going to be a hundred minutes each! I was under the impression that just about everybody who could say something profound on Tiki was contacted and interviewed. Of course speaking of the most interesting subjects, giving the most exciting details. So there’s interviews, but also old, private super-8 footage! Gathered classic urban archeaologist style at fleamarkets and garagesales. Another great ingredient were the animated stills. If you have seen Riding Giantsor Dogtown and Z-Boys you know what I mean. A new way of using still photographs in film to draw you into the subject – very effective! If you don’t know about it, it’s not apparent to you it’s stills often times. Just like in the other two docs I mentioned, combined with the right music it’s a great mood- and details-asset to a project like that.

Afterwards played Hulapunk from Hamburg, and a great time was had by all.

But Aloha Luau, in true spirit, had people last minute finishing his new, cute little mini Tiki bar in Oranienstr. while he was serving drinks at the cinema. So most everybody went to check that out, after Hulapunk were finished and the first chatting about the new enlightments was done. I had a Mai-tai (bit too sour) and another, fantastic Jungle Bird.

For the Tiki-heads out there (on YouTube).