As you probably already knew The Ventures are going to be inducted into the Rock’n’Roll Hall of Fame this year. Yes, it could have happened earlier. But anyway… This is also the year Madonna joins the club.
March 10, 2008: The Ventures are inducted into the Rock and Roll Hall of Fame at the 23rd annual induction dinner. tk is their presenter.
Read more here: The Ventures
Now this japanese guy is one hot Uke player, I tell you. Interesting to see Pacific Longboarder write about him:
‘08 Monday, 11 February 2008Jake Shimabukuro (she-ma-BOO-koo-row) is recognized as one of the world’s top ukulele (oo-koo-LAY-lay) musicians, and one of the most jaw-dropping performers of any instrument. Renowned for lightning-fast fingers, revolutionary playing techniques, and wildly eclectic repertoire, Jake views the ukulele as an ‘untapped source of music with unlimited potential.’ It is no coincidence that Jake is the first ukulele player ever invited to perform as a solo artist at the Sydney Opera House! Playing jazz, blues, funk, classical, bluegrass, folk, flamenco and rock, Jake plays beyond all musical boundaries.It began when his mother gave him a ukulele lesson at age four. ‘When I played my first chord I was hooked,’ says Jake. Evolving from the heavily amplified riffs that earned Jake the reputation as ‘Jimi Hendrix of the ukulele,’ now Jake masterfully extracts the pure ‘clean’ natural acoustic sound of the uke, delicately making a single note smile or cry on his most recent releases, Gently Weeps and My Life. The highlight of Gently Weeps is Jake’s cover of George Harrison’s ‘While My Guitar Gently Weeps.’ The video clip of Jake playing this in Central Park appeared on YouTube, and made Jake the medium’s first global superstar with over 3.5 million hits. When Jake had the honor of meeting Harrison’s widow, Olivia, backstage at his show with the Honolulu Symphony, she described feeling George’s presence with her when Jake played his rendition of Gently Weeps. From a modest beginnings at a Honolulu café, Jake has gone on to play at venues such as the House of Blues and The Knitting Factory (Los Angeles), The Birchmere (Alexandria, VA), Tipitina’s (New Orleans), Joe’s Pub and Knitting Factory (NYC), Ottawa Blues Festival, High Sierra Music Festival, The Bumbershoot Festival, The Fuji Rock Festival (Japan) and many others. Touring with Jimmy Buffett in ’05, ’06 and ’07 gave Jake ‘a priceless experience’ of playing to crowds of over 100,000. Jake’s first national TV slot was in December ’05 on NBC’s The Late Show with Conan O’Brien.
continue reading here Pacific Longboarder News / Reviews / Events
Saturday, February 9, 2008
10:00 a.m.
Los Angeles Public Library, Atrium Theatre
630 W. 5th Street
Los Angeles, CA 90071
(213) 228-7000
Spreeblick made me aware of this interesting YouTube video. You have a guitar on your iPhone to play chords, single notes and even vibrato the notes. Well the vibrato needs work. It’s apparently called PocketGuitar. It won’t hurt your fingers as much as real steel strings, you can do it anywhere, but it’s not quite as sexy as a Mosrite or a Jaguar.
Here‘s a great little regular music show you might find entertaining:
Jet Set Planet
A program of space age era instrumentals, TV Jazz, and other related music, featuring dismissed, forgotten, or otherwise marginalized vinyl LPs from the record bins of Thrift Store USA.
* Exotica
* Crime Jazz
* Lounge and Cocktail music
* Big Bands in the Stereo Age
* Ping-pong percussion
* Bongos. Bossa Nova, and Latin tunes
* European and American soundtracks
* Jazz for swingers and soft-core sensualists
* E-Z & Sleazy Listening
* Rock-Gone-Wrong
* Juvenile Delinquent music
* the Now Sound
* Songs of the Jet Set
* the Schreee of 10,000 strings
* and Spy jazz
From the days A&Rs would do the occasional string arrangement. The Billboard Hot 100 sounded different. This particular one from 1963 reminded me of the days I did full song chart themed mix tapes of, say, summer 1964, southern Calfifornia local radio charts music. That way I had a nice helping of surf instros, among their contemporaries. I would pop it in the car-radio-tape player, blasting out of 2 sixties Dual speakers in the back of my beetle on the way to St. Peter with my 9ft board on the roof. You never know what it feels like until you try it.
He directed the biggest bollywood movie of all time: Sholay. Here’s a movie song (composed by R.D. Burman) on YouTube.
From the BBc South Asia website:
Veteran Bollywood film producer GP Sippy has died in the western Indian city of Mumbai at the age of 93.
Mr Sippy was best known as the producer of Bollywood’s biggest ever commercial success, Sholay (Flames).
A big article and interview on Brian Wilson in the Washington Post.
(through the exotica mailing list)
The Beach Boy’s Hymns to the Dream State of California Belied The Nightmare He Was Living
By J. Freedom du Lac
Washington Post Staff Writer Sunday, December 2, 2007; Page M01
LOS ANGELES — Brian Wilson still hears voices.
They stalk him sometimes when he’s on the concert stage, bedeviling him from inside his head. They ridicule and threaten the original Beach Boy, backing him into dark corners that don’t exist. Watch closely, says his wife, Melinda, and you can tell when Wilson’s schizoaffective disorder is having its way. His eyes become distant and glazed. Another auditory hallucination…full article at washingtonpost.com
What a great find! Somebody on a audio recording board posted this link.
It’s an animated movie explaining “loudness”. It’s a high average volume level. Meaning there’s less softer parts in the music. If you read this you probably have a chance of enjoying old music. You probably think about the old recordings as being played by real musicians, on real instruments, projecting real emotions and so forth. All fine an dandy with me. But that’s not all there is to it. They recorded it differently! The guys at the record companies enjoyed loud parts coming after quieter parts. A scary movie is most scary when nothing is really happening, but your senses tell you that something could and probably will happen. Then when all the screams come on, its not scary anymore. You are scared in the fracture of a second actually, the transition from quiet to loud.
With modern music it’s like horror screams all of the time. No wonder most people eventually turn away from it. At first (your early teens) you think “cool – it’s really loud”. But as an adult you will find that the dimensions offered in music are richer for your enjoyment.
Many professionals in the recording industry think that this loudness war is one thing that is hurting the music business of today. Also consider the fact that an artist will sound wimpy on stage by comparison to his recordings. You didn’t read about booed off the stage superstars in the 50s, 60s and 70s. Or even the 80s. It’s fans robbed off another illusion. And they start realizing they have one voice.