Saturday september 22nd was all about Tiki. The attendance could have been stronger – bad mana Berlin!

But many Ti-key figures came from different parts of europe. The Klang & Kleid guys (Switzerland‘s Lurker, who organized the complete series of events, what an effort, especially considering the timing problems…), of course Sven Tiki and Tanja & Jochen Hirschfeld were there in person to present their respective Tiki documentations.
I also met Virani (from Paris) and Sian the Beachcomber and Trader Jim (of Pocketiki from England), Carola & my old buddy Andreas, Liz & Chris from Cambridge and even though we live in the same city I hadn’t seen Moritz® in a while, but there he was.

Sven, as usual, had prepared a thoroughly enlightening slide-show on the Tiki Modern subject. He was first to present it in the Eiszeit Kino, not before just about everybody had sampled at least one of the 4 great cocktails supplied by the Aloha Luau. The Jungle Bird was a great new discovery for me. And the new book was on display (and for sale) to the enthusiasts. Everybody who bought one had it signed by Sven – they now have quite a heavyweight coffeetable load, considering this new book Tiki Modern has more and bigger pages, and more great pictures than the already huge Book of Tiki! The layout looks cleaner than in the Book of Tiki – which goes very nicely together with the modern subject.

Intermission allowed for another taste from Aloha Luau’s menu and then it was Jochen’s turn. He held a short speech explaining the pre-history of the Armchair Travelling project and the DVD started rolling in the darkened cinema. As I was involved with creating 8 tracks for the DVD’s soundtrack I had seen parts before and Jochen had told about his travels and who he had talked to in the course of making the film. But seeing the first part (about the 30s – 60s origins and beginnings of Tiki pop-culture) condensed into only 60 minutes, the giant afford that was done was at hand. It is something else. There were hours and hours of material edited into what we were presented here, in a great way. But you have to bear in mind that the two DVDs are going to be a hundred minutes each! I was under the impression that just about everybody who could say something profound on Tiki was contacted and interviewed. Of course speaking of the most interesting subjects, giving the most exciting details. So there’s interviews, but also old, private super-8 footage! Gathered classic urban archeaologist style at fleamarkets and garagesales. Another great ingredient were the animated stills. If you have seen Riding Giantsor Dogtown and Z-Boys you know what I mean. A new way of using still photographs in film to draw you into the subject – very effective! If you don’t know about it, it’s not apparent to you it’s stills often times. Just like in the other two docs I mentioned, combined with the right music it’s a great mood- and details-asset to a project like that.

Afterwards played Hulapunk from Hamburg, and a great time was had by all.

But Aloha Luau, in true spirit, had people last minute finishing his new, cute little mini Tiki bar in Oranienstr. while he was serving drinks at the cinema. So most everybody went to check that out, after Hulapunk were finished and the first chatting about the new enlightments was done. I had a Mai-tai (bit too sour) and another, fantastic Jungle Bird.