Consumer EQ

EQ stands for equalization.
I want to write about the two knobs that old school consumer electronics had. The treble and bass controls on radios and amplifiers. Do you know somebody who always turns them up? Changing all the sound coming out of his stereo to his or her preferences. But what are these preferences based on?

He or she
… has paid for these knobs and just has to use them.

This habit is actually lowering the mids. The poor mids don’t have a knob of their own, and by boosting their neighbors they get behind in the frequency balance of the undoubtedly preference based volume adjustment.

… claims to compensate lacking gear or room acoustics.
What about the car stereo – same problem? The old radio – same problem? Incidentally the same problem in all audio gear within reach of this person. Try speaker (re-)placement.

… got used to the sound long ago.
This is probably true, but turning the knobs up is covering the symptoms, it’s not the cure.

… finds it sounds more hi-fi
This comes from a youth spend with very old or very cheap radios, receivers, cassette-players or compact record-players. The veils went up when the first proper hi-fi entered the living room. Like blankets were removed from the speakers. It’s a nice metaphor. Unfortunately I can’t provide one about dwarved mids.

The mids. They are the core of music. Many musical pieces were written for solo instruments or small ensembles exploring the beautiful kindom of mids. There’s considerably less music written for glockenspiel, triangel or cymbals. Strange, considering how hi-fi that would sound. Simply put, these treble instruments are the icing on the cake of music, but not the cake itself. Also few solo pieces for double-bass or tympany are being performed regularly. They just don’t deliver the goods, the mids.

Melodies
live in the kingdom of mids. And you also find the most beautiful and complex harmonies there. You don’t hear a jazz chord with a root above 10khz. Or below 60hz. So by boosting these cake-icing frequencies you get less cake. Which you paid for too! Not only in your stereo gear, but the music itself as well. A professionally mastered recording is sounding good on neutral speakers. A serious test in the life of a piece of recorded music. Consumer speakers are much more music friendly, in the sense that they make even mediocre masters or mislead eq-adjustments sound acceptable. Find out the truth about the music you hear! If you don’t like it with the neutral eq-setting, try different music.

One exception!
If you are desperately un-musical, lowering the key musical frequencies by boosting highs and lows (and pushing the important loudness knob!) will help you move the irritating differences in musical compositions to the background.

Danny Lyon’s 1960s Biker Photography

Thanks to Boing Boing for informing us about this great looking book on hodad photography. Finally a book to hear Davie Allan & The Arrows by.

Danny Lyon’s 1960s biker photography – Boing Boing

book at amazon.com
Wikipedia about the photographer Danny Lyon

also from Smithonian.com
Two for the Rogues By Stephen Franklin

Cowboy and Sparky,
two pals on bikes. They’ve just been to a motorcycle race in Schererville, Indiana, and their girlfriends will soon get off work from the Dairy Queen. It is November 1965, and CowBoy—Irvin P. Dunsdon, who uses the capital B to this day—is 23 years old. He feels he’s on top of the world.

Hukilau 2008

Great art, as always!

website

live acts:
Tikiyaki Orchestra – Los Angeles
Martini Kings – Los Angeles
Fisherman – New York City
Haole Kats – Florida
Intoxicators – Florida

exotic activities and special guests:
Jeff “Beachbum” Berry presents Potions of the Caribbean
Sven Kirsten – author of The Book of Tiki and Tiki Modern
Hukilau Games – Beach Volleyball and other activities
Tiki Carving with the Masters – on the Beach!

Two Tow-Teams Ride Biggest Swell to Ever Hit British Isles

Duncan Scott, 1st December 2007, Mullaghmore Head, Ireland: photo Kelly Allen

from Surfers Villagee (via Surfrider blog)

Surfersvillage Global Surf News, 1 December, 2007 : – – As Ireland was battered today by the largest ocean swells ever predicted by the Marine Institute’s weather buoys (14 metres), a group of four surfers braved the stormy conditions to successfully take on the biggest waves ever ridden in the British and Irish Isles, off Mullaghmore Head, south Donegal Bay, Ireland. Duncan Scott (Newquay, Cornwall, UK), Alistair Mennie (Portrush, N.Ireland), Gabe Davies (Newcastle, UK) and Ritchie Fitzgerald (Bundoran, Co. Donegal, Ireland) motored out at first light on two jetskis to await the arrival of the massive, storm-driven swells.

pics at BBC

video link

Loudness Wars Explained

What a great find! Somebody on a audio recording board posted this link.

It’s an animated movie explaining “loudness”. It’s a high average volume level. Meaning there’s less softer parts in the music. If you read this you probably have a chance of enjoying old music. You probably think about the old recordings as being played by real musicians, on real instruments, projecting real emotions and so forth. All fine an dandy with me. But that’s not all there is to it. They recorded it differently! The guys at the record companies enjoyed loud parts coming after quieter parts. A scary movie is most scary when nothing is really happening, but your senses tell you that something could and probably will happen. Then when all the screams come on, its not scary anymore. You are scared in the fracture of a second actually, the transition from quiet to loud.

With modern music it’s like horror screams all of the time. No wonder most people eventually turn away from it. At first (your early teens) you think “cool – it’s really loud”. But as an adult you will find that the dimensions offered in music are richer for your enjoyment.

Many professionals in the recording industry think that this loudness war is one thing that is hurting the music business of today. Also consider the fact that an artist will sound wimpy on stage by comparison to his recordings. You didn’t read about booed off the stage superstars in the 50s, 60s and 70s. Or even the 80s. It’s fans robbed off another illusion. And they start realizing they have one voice.