Here’s a great little article on the southeast asian Jaguar and Jazzmaster forgeries of the 60s.

A View from the Back of the Rack
Of Forgeries and War!
By Michael Wright, The Different Strummer
One of my favorite ‘student anecdotes’ involves a young lady who dated World War I to around 5 Million BC on a test because ‘it was, like, the first one, right?!’ I hope she got an A for effort! Anyhow, as wars recede their meanings change with each succeeding generation. Ask a young person today about the Viet Nam War and you might be lucky if he’d ever heard of it. For some older folks among us it seems to have happened only yesterday, transforming their lives so much that they live with it every day. For others of us, it has just become a murky bad dream that we’re only reminded of when a guitar like this ca. 1965 ‘Pinoy Jazzmaster’ forgery comes around! …

Even today some people try to sell them as Fenders on eBay, but I am sure they must have their own place being made of very different woods.

News from the best radio station on the planet:

Pledge Drive News
It took a little bit longer than we wanted, but the pledge drive was a success thanks to all of you that made a donation. If you made a donation and haven’t received your premium yet, hold tight for just a little bit longer, as we have a few premiums that haven’t gone out yet.

Though the pledge drive is over, we are still trying to drum up money to pay the bills. So this month we’re holding a raffle to win 9 Arthur Lyman CD’s that were give to us by Collectors Choice Music. Anyone that donates $5 or more between June 23 and July 21 will be immediately entered into the raffle. Everyone that donates $5 or more will receive a Shag designed LuxuriaMusic sticker. For more information on the raffle, go here. Or go to our donations page.

Thank you!!

Luxuriamusic

Programming schedule for Wednesday July 9, 2008.
3-4 PM: Thrifting For Tunes Lee Hazlewood Birthday Special.
4-6 PM: Chuck Kelley Goes Latin
6-7 PM: Atomic Cocktail with Vic Trip.
7-8 PM: Between The Sheets w/ Angel Baby.
8-10 PM: The Ian Whitcomb Show

*all time are Pacific Standard Time.

Great selection of contemporary surf bands. And see the immaculate flyer.

Quote from website:

The festival was born in 2003 as the very first European event completely dedicated to surf music. With a load of great bands passed on our stage, we repeated it in 2004.

…

The Complete Schedule

Main Stage Saturday
16.30 The Surfadelics
17:45 Jaguar & The Savanas
19:30 The Crashmen
21:00 The Charades
22:15 The Vibrants
23:30 Wadadli Riders & Daddy-O Grand

Main Stage Sunday
17:00 I Surfoniani
18:15 The Wavers
19:30 The Wet-Tones
21:00 The Sunny Boys
22:30 The Barbwires
23:30 The Bitch Boys

DJ Sets

Updates comin’ in the next days!

Side Stage Saturday
16:00 Favolosi Traslatori
Great garage/psychedelic show

Side Stage Sunday
18:00 I Rifflessi
The Italian face of 60s surf beat

20:30 Sexual Chocolate
Be ready for superb blues/rock

22:00 Gli Ambaciatori dell’Amore
Fantastic beat from the fabulous 60s

Sunday Morning from 12.00
Attention musicians: join us for the Surf Jam Session, get on stage and play!
All the instruments are already here, open mic, you are more than welcome.

website www.surferjoemusic.com

Exhibition on 60s surfing photographer in Cornwall – found via Pacific Longboarder:

Surfing Sixties

Jack Eden

This summer Tristan’s Photographic Gallery in Wadebridge, North Cornwall, takes advantage of both its status as one of the few international fine art photographic galleries outside of London and its sunny location amidst the surf beaches of North Cornwall to present a collection of rare, hand-printed, black and white images by the founding father of Australian surf photography, Jack Eden. Described as the ‘photographic biographer’ of Australian surfing history, Eden shot the majority of the images displayed between the late fifties and late sixties mainly around the beaches of Sydney for use in his magazine ‘Surfabout’ learning developing and printing techniques by correspondence with legendary American landscape photographer Ansel Adams.This period was a time of great transition, growth and development in surfing, as both new materials and designs allowed for great progression in the water and more young people pursued a relaxed and carefree lifestyle after the war years such as that offered by the beach. Jack Eden captured both the action taking place on the waves and also the fashions, cars, musicians and attitudes of the blossoming Australian beach scene which has since developed to become a national stereotype. The sixties were the decade when Australian came of age on the waves – the surfing evolution and revolution.…

Tristan’s Gallery
Wadebridge, Cornwall

Some of these look good to me, of course they’re impracticle as surfboards, more like ritual paddles, spears and guaras.

*HUA Sculptured Surfboards
WHAT ARE THEY?
HUA (Polynesian Soul) SCULPTURES are the work of Aaron Kereopa – a young Maori surfer and artist.
Aaron designs and then carves these characters into stripped back, old – dis-used surfboards. Each of them represents a part of a Maori warrior tree.
Aaron’s works are now only available by commission.

Surfa.com.au – the Art, the Sport and the Lifestyle of Surfing

From Have You Seen Him:

actually …It’s a glass coffee table designed and built by non other than Lance Mountain himself. This little pool has so much detail you’d think it’s a real pool, with the hand painted scum line, wheel marks, diving board and stairs to the working mini pool light ( battery operated) in the deep end. It is displayed in my toy room and is one of my prize possessions in that room. I sold an 80’s Lance Mountain deck i had stored in my attic collecting dust for years to pay for this “one of a kind” art piece from Lance. This was definitely worth the trade.

View Original Article

…if I could have it my way.

I created this picture in the dressing room at offset-guitars.com.

Structure
I would have a Jazzmaster body made from mahagony with maple-top.
A Mosrite/Gretsch scale, set neck, maple with ebony fretboard (Mosrite radius).
The neck-profile copied from my e-sitar.
Neck-binding, zero-fret and the smallest frets available (Framus NOS?)
I probably would have a Bigsby instead of the jm-vibrato, but the jm-bridge.
These appointments are based mostly on one of my all-time favorite guitars, the 1975 Gretsch Country Rok, which I sold long ago.

Electronics
For pick-ups I would have three Novak Fender XII replicas.
Jaguar style three on/off switches (rather than the Stratocaster switch in the pic)
The rhythm circuit to give additional pu-combinations, since the 3 pups have two coils each. Maybe like this: upper-bout switch turns on north of bridge, south of neck, but not breaking the main selector circuit. The outside coils should be humcancelling and hollow like a Jazzmaster.
I just love the sound of the Fender XII, which I used on Wild Action (Modern Sounds of The Looney Tunes Band). The pick-ups are not as thin as DeArmond single coils, and not as fat as Supertrons. More like Jaguar ones, but hum-cancelling.

Cosmetics
Color: ocean turquoise with matching headstock and gold hardware, Kluson-style tuners. Pickguard either gold-aluminium or vintage white. I wanted a gold guard guitar ever since I got The Wildest Guitar by Mickey Baker.
I never had a blue-ish guitar before. It looks so green because I chose the aged look in the dressing room. The finish is bluer when new.
It looks fancy, I see that. But it’s supposed to be a custom, they have to look fancy!

I discovered this via Steve Caballero’s blog.

New Gremmie figures sculpted by CHOP of Monster Farm Japan.
Hope to be out some time soon.

View Original Article

I knew about this big back-catalogue re-issue being planned before, but I somehow never could view the web-page until now.

Arthur Lyman died a couple of years ago, and it was a great loss to the people into Exotica and Tiki as he was still performing. He used to play with Martin Denny before he ventured out with his own group. Both artists released similar styled albums, but Lyman kept more Hawai’i in his music as the sixties went on, being hawaiian might be a reason. He had some of the deepest, most atmospheric and soulful Exotica recordings, combining authentic ethnic instrumentation with modern jazz. Another interesting point of note are humorous tunes he often selected to appear towards the end of his LPs. He may not have had a Sandy Warner on the covers, but many are very beautiful, classic Exotica designs. Taboo 2 had an authentic shrunken head on the front, until it was repackaged with a shot from the Pele roll of film.

Kevin Crossman writes on the Exotica list:

Collectors has released 18 Lyman albums in their entirety as 9 two-fer CDs.
…
Don’t be fooled by lame, generic cover art. each release has the cover of both LPs printed in full color. All you have to do is take the front booklet out and fold it backwards to show the cool orig Lp cover art! The CD also contains a reprint of one of the Lp back covers
…
Look for the double titles separated by a slash. Steer clear of the Greatest Hits package – it is not bad but I’m sure you would rather have the full experience of a Lyman lp in its original format
…

go to Collectors’ Choice Music

Handprinted wallpapers – beautiful!!

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