Great Surf Soundtrack Comp!

chaiman of the board comp cover

Quoting from their MySpace profile:

Surf Soundtracks 1964 – 1974 Released on July 2nd on Harmless Records

Never mind the Beach Boys, Chairman Of The Board is a collection of vintage soundtracks from iconic cult surf films. Underground film makers wanted original music, a harder sound to reflect the new wilder cinematic expression now possible on the face of a wave. The soundtrack they chose to enhance this visual experimentation was the mellower stoner blues and psychedelic rock, which perfectly captured the cerebral highs of living the alternative dream. The music featured on this compilation, some of which has never been released, originates from six of these classic surf films.

I have some of the films on VHS or DVD, and some of the released soundtracks on vinyl. It’s a really great genre with a very high musical standard. And it’s something you can play to people if they ask you what music surfers listened to, in the 60s (and early 70s in this case).

Tiki News Website

Where would Tiki be without Otto von Stroheim’s Tiki News?

Established in 1995, Tiki News is a printed magazine containing 84 + pages packed full of historic and current Tiki information. The first magazine to solely cover Tiki!

The same folks bring you Tiki Oasis each year!

The original Tiki weekender! This August 16-19 join us in San Diego for the seventh Tiki Oasis! Experience top Exotica and Surf bands, the best DJs in the country spinning vintage vinyl, vendors selling unique Tiki trinkets and idols, relax poolside or dance the night away at the Hanelei Hotel! Come and enjoy three nights and three days of fun in the sun!

Save Independent Internet Radio

forwarded from Luxuriamusic:

Luxuriants,

A bill has been introduced that will save independent internet radio from the huge royalty payments that the CRB recently handed down. Call your Representative right now and ask them to co-sponsor the “Internet Radio Equality Act”, introduced by Representative Jay Inslee. This bill will set royalty rates that internet radio pays to the same reasonable level that satellite radio pays.

Please call the House switchboard at (202) 224-3121 and ask to speak to your representative.

If you don’t know who your representative is, you can find them here

Go to www.savenetradio.org for more information

Then tell them:

– I am a constituent and I’m calling to ask Congressman/woman ________ to save Internet radio by co-sponsoring the Internet Radio Equality Act.

– Due to the recent Copyright Royalty Boards decision to significantly
increase royalty rates for webcasters. In the case of most independent
Internet radio stations, the royalties amount to several times their gross revenues!

– Without this bill, my favorite Internet radio stations will be forced off the air and I do NOT want that to happen. Please tell Congressman/woman ________ to co-sponsor the Internet Radio Equality Act, which sets royalties for Internet radio that is fair and in-line with what other digital radio services pay.

Other information you may want to share:

– Internet radio stations have been paying royalties, and are happy to pay reasonable royalties that fairly compensate artists for the music they make. But putting webcasters out of business by royalties that are
several times their gross revenues will actually harm artists who depend on independent Internet radio to get their music out to fans, build new audiences and sell their music. When internet radio goes off the air, so do artists.

Feel free to mention how much music you’ve discovered through LuxuriaMusic, or that you’ve learned about music that you never heard any place else.

Also, please forward this to your friends who love internet radio, and help get the word out. Since getting a bill passed in Congress is a difficult, we need to contact our representatives NOW!

Thank you for your help,

The LuxuriaMusic Team

Here’s a page on the subject.

New Sven Kirsten Book Tiki Modern

After the groundbreaking book on Tiki Pop-Culture of the mid-20th century Tiki Modern follows up with the perfect companion, focusing even more on the interior design aspects of modern Tiki during his heyday.

Deutsch Kurzbeschreibung von der Buecher.de Seite:

Kurzbeschreibung: Dieses amüsante Buch bringt zwei der jüngsten Retro-Trends zusammen: Das Faible für die 1950er und 60er sowie den Tiki-Style. Mit einer Mischung aus Enthusiasmus und Ironie zeigt Autor Sven Kirsten, wie Naivität und Moderne Mitte des 20. Jahrhunderts Hand in Hand gingen. Im wahrsten Sinn des Wortes schrecklich moderne Möbel verbanden alten Kitsch und neue Heldenverehrung zum Beispiel Kreationen aus dem Hause Witco; dem Unternehmen, das Elvis Presleys ‘Jungle Room’ und Hugh Hefners Playboy-Pool schuf. Eine wahre Hoch-Zeit des Designs!

hier geht’s zum Buecher.de Shop

Beatnik Beach Film Night at the Egyptian Theater

beats

Domenic Priore from Dumb Angel writes:

(It’s all about the ocean, mannnnnnn…… — Dom)

It’s been a while since I contacted everyone about a blog or somethin’ cool, but this time, it’s for real….

Dig, The American Cinematheque at the Egyptian Theater is letting us do our “Beatnik Beach Film Night” this Friday night. We did one last summer at Sponto Gallery in Venice, then in December we brought it to the Roxie Theater in San Francisco. Now, everybody’s been asking us for months to “do this in town” (Venice is a long haul for most of you), so we’re doin’ it up right then, and including a truly great piece of Beat cinema from 1961, “Night Tide” (starring Dennis Hopper and Linda Lawson), plus our slide show of Greater L.A. area Beat coffeehouses and jazz joints of the late ’50s and early ’60s, along with two primordial shorts from the Venice West Cafe back in the day.

If you’ve never been to the Egyptian Theater, it was the immediate predecessor to Grauman’s Chinese Theater on Hollywood Boulevard. When Sid Grauman opened it in 1922, it had the same elaborate Hollywood flair (it’s gone through a nice rennovation in its current incarnation as the American Cinematheque). This is gonna be a fun night, in the right place, with all the right people, yeh… We are working on some special guests; all three filmakers may very well be there for Q&A, at least. The American Cinematheque’s description below says it better than I can (o.k., I helped write some of it). Thanks for plannin’, and makin’ an evening of it this Friday. We’re gonna have a ball… — Domenic Priore

Friday, March 30, 2007: Egyptian Theatre

The Friday, March 30th program is a 7:30 PM screening of NIGHT TIDE, (1961, 84 min.). Director Curtis Harrington’s debut indie feature is a masterpiece, a haunted, poetic hymn to the dark world of the fly-by-night carnival, lonely midways at dawn and the siren call of eon’s-old passion spawned by the devils of the deep blue sea. In a fond nod to Val Lewton and Jacques Tourneur’s CAT PEOPLE, at-loose-ends sailor Johnny Drake (Dennis Hopper) falls in love with sideshow mermaid, Mora (Linda Lawson) who may just somehow be related to the real thing. Shot in and around Santa Monica and Venice Beach in the beat culture’s heyday, the film continues to exert a strong spell, and is brimming with the heady atmosphere of bygone coffee houses, poet hipsters, languid jazz and bongos on the shore. With Luana Anders, Gavin Muir. “…captures an intangible quality of what Santa Monica was like in the early 60s. Quite apart from Los Angeles, it was a quiet residential community. The funfair pier has just the right air of seedy despair about it. Everyone seems to be living ‘just off’ the mainstream.” – Glenn Erickson, DVD Savant Preceded by the shorts: “Venice In The Sixties” (15 min.) directed by Leland Auslender. Originally shot for a television show and never used, this is essentially a full-color look inside the atmosphere of the Venice West coffeehouse, its various sections, activities and people; “The Beat From Within: Reflections of a Beatnik” (10 min.) Produced by Ralph Morin and directed by Tom Koester, this short covers a day in the life of a Venice beatnik in glorious black ‘n’ white.

Plus, following the screening, Authors Domenic Priore and Brian Chidester (Beatsville, Riot on Sunset Strip: Rock ‘n’ Roll’s Last Stand in Hollywood, Dumb Angel #4: All Summer Long) will present a unique one-hour slide show documenting the Beat Generation’s long stretch over the Greater Los Angeles area between 1956 and 1966, via visuals of coffeehouses and jazz joints from the Sunset Strip to Malibu, Venice and Newport Beach. Legendary locations only heard about in books or in liner notes, from the Gas House and nearby Venice West Cafe, to the Unicorn and Shelly’s Manne-Hole in Hollywood, the Lighthouse and Insomniac in Hermosa Beach, then all the way down to Cafe Frankenstein (owned, operated and painted by Burt Shonberg). Arists from John Altoon to Eric “Big Daddy” Nord gave these places a colourful splash, as did the wide variety of Folk singers and poets who performed on their stages.

P.S. Also, a new Dumb Angel blog is at: http://dumbangelmag.blogspot.com/

The Ukulele Orchestra of Great Britain

Ukulele Orchestra of Great Britain
Highly recommended – very fun stuff. Especially when they find endless variations of chord patterns which repeat throughout musical history and make a big mix out of it. Incredible stuff. Apparently been together for 28 years – with showmanship and chops to match!
Here’s the homepage.
Here’s their music at iTunes.
They have a CD and live DVD out. Review to follow here. Today I got the info they’re in Hamburg for the next two weeks – so don’t miss them!

Buddy Merrill

merrill1.jpg

I don’t have that many of his records – but I sure found a lot of his tracks at iTunes! He was very busy covering any style of popular guitar playing you can think of during the 60s and 70s. I guess most of you don’t know him, so for starters I made a little 42 track Buddy Merrill iMix, which you can find at Itunes.
Here’s what I wrote about it:

The versatile Buddy Merrill!
We start with a surfy/Ventures-style division before going into a nowsound/funky part. This turns over into his best bossa tracks on iTunes. After this we are exposed to a little gang of country favorites leading into Buddy’s steel guitar skills featured on his coolest hawaiian offerings. We go Exotica for the second to last bunch of tunes. This leaves us to close this collection with three tunes pulled from the classical catalogue – Where Czardas had briefly taken us during the bossa section.


Here’s his homepage www.buddymerrill.com.

Buddy on iTunes