Guitar Geek Festival

Deke’s 5th Annual Guitar Geek Festival

Saturday, January 19, 2008

Jolly Roger Hotel Ballroom (amazing 1960s pirate-themed ballroom!)
640 W. Katella (at Harbor), Anaheim, California
Only one block from the NAMM show/Convention Center!
Doors at 3 p.m., show starts at 4 p.m. sharp!
All ages welcome (must be 21 to drink)
$35 advance / $40 at the door / $35 with NAMM pass
Advance Ticket $35

Featuring:

The Collins Kids: Larry and Lorrie!
Straight from the stage of ‘Town Hall Party’ we present Larry and Lorrie Collins in their first Southern California appearance in 15 years, and their first show in Anaheim in decades! Singing their big hits ‘Mercy,’ ‘Rock Boppin’ Baby,’ ‘Let’s Have A Party,’ ‘Whistle Bait,’ and others, the show also includes Larry Collins playing the snot out of his double- neck Mosrite on such tunes as ‘Rockin’ Gypsy’ and ‘Hurricane!’ Larry and Lorrie never fail to put on an amazing show, and this will be the most exciting Guitar Geek Festival headlining act yet!

Teisco Del Rey: King of the Guitorgan
Featuring Paul ‘Mr. Moto’ Johnson! Many remember Teisco Del Rey as the columnist for Guitar Player magazine for many years. Others remember him from his astounding instrumental albums, where he tackled everything from surf to soul, channeling the spirit of Duane Eddy. Yet others will remember him as the only man in the last 3 decades to seriously play the ‘Guitorgan’! All this and more will be revealed in Teisco Del Rey’s first-ever Southern California live appearance, with an all- star band featuring Paul Johnson of the Bel-Airs (who came and rocked his song ‘Mr. Moto’ at last year’s fest!), Steve Soest from The Torquays, and Pete Curry of the Halibuts and Los Straitjackets! A set not to be missed.

Deke Dickerson & Crazy Joe: Twin Guitar Special!
Your host teams up with the king of nerdabilly from Enon, Ohio, in a special set of guitar duets! This will NOT be two guys sitting down with a couple of acoustic guitars. This set promises to be extreme and dangerous!

Brian Lonbeck: the Barn Burner of Bakersfield!
In a dangerous attempt to see how many Mosrite doubleneck players we can fit onto the bill, we bring back perennial favorite Brian Lonbeck of Bakersfield to tear down the house with more Maphis-inspired mayhem!

Maestro Alex Gregory: Maestro of the Heavy Metal Mandolin!
If you haven’t heard of this guy, look up his name on the internet. What you see with your own eyes will still be hard to believe! The English-born Gregory was given the title ‘Maestro’ by Queen Elizabeth’s government in 1983. After years of studying classical music, he entered the field of rock, where he has mastered such inventions as the seven-string guitar (Gregory holds two patents on the seven- string guitar!) and the electric mandolin. His most recent CD shows him holding an electric mandolin while urinating on the graves of Steve Vai and Yngvie Malmsteen! This will without a doubt prove an interesting set!

Junior Watson: Southern California Blues King!
We’re excited to get ‘Junior’ Watson on the Guitar Geek Festival bill. Junior has been playing around Southern California for the last three decades, first as a founding member of the Mighty Flyers with Rod Piazza, then as a ten-year member of Canned Heat. Since then he’s played with just about everybody in the blues world and has amassed a cult following as the blues cat with THE TONE!!!!

The ‘All-Bigsby Band!’: Featuring Jeremy Wakefield & T.K. Smith!
It is rare to see an instrument made by Paul A. Bigsby, inventor of the Bigsby vibrato. Many people know that Bigsby was an important instrument maker who invented the first modern solidbody electric guitar for Merle Travis, but most have never seen one of these instruments in person! For one evening we will have a band on stage playing exclusively instruments made by Bigsby. The band will be led by festival stalwarts Jeremy ‘J.W.’ Wakefield on steel guitar and ‘T.K.’ Smith on electric guitar, along with a slew of other older and younger players–all living Bigsby owners have been invited to participate! This will be a photo opportunity never to be repeated again! Several vintage guitar dealers have already been rushed to the hospital!

Lester Peabody With Special Guest Marti Brom!
Hailing from Finland, Lester Peabody is a double threat to be reckoned with–not only as a great Chet-styled finger picker on the guitar, but also as a great steel guitar player! Bonus for all the lonely guitar fans will be an appearance by sultry-voiced Texas singer Marti Brom, who will sing a number or two with Lester on his great set!

James Calvin Wilsey: The Guitar Behind Chris Isaak!
Jimmy Wilsey has an impressive resume. Not only is he the guitarist who played on Chris Isaak’s breakout hit ‘Wicked Game,’ with its haunting atmospheric guitar parts, but he was also in the seminal punk band the Avengers, who can actually claim to have shared a bill with the Sex Pistols at their very last show at the Cow Palace in San Francisco in 1978! Jimmy Wilsey has a brand-new band called Wilsey and a new album out, and they will be showcasing their exciting brand of tunes at the Guitar Geek Festival!

Opening Set: Breakout Talent Showcase!
The most difficult thing about putting together the Guitar Geek Festival each year is that we have so much phenomenal talent and not enough time to get everybody involved. So this year, a bunch of great guitarists will get the evening rolling with one tune each! Guaranteed you’ll want to be there from the opening bell, as these guitarists are every bit as talented as our featured acts!

All ages (must be 21 to drink)!
Full bar available!
Booths from Hallmark, TNM Custom, and more!
Deke’s Amazing Guitar Museum with a special Bigsby exhibit!
DJ Dan Moses!
Guitar Raffle courtesy Fender/Gretsch guitars!
$35 advance / $40 at the door / $35 with NAMM pass
This is an Early Show! Doors open at 3 p.m., show starts at 4 p.m. sharp!

Jolly Roger Hotel Ballroom (amazing 1960s pirate-themed ballroom!)
640 W. Katella (at Harbor), Anaheim, California
Only one block from the NAMM show/Convention Center!

I would go there – if it was anywhere near. He should do a world tour, and fill up the line-up with local acts like Ladi Geisler in Hamburg, and Bert Weedon and Judd Proctor in England.

Gordon finished his Jaguar project. It’s a very special guitar, based on Fender’s favorite surf guitar – the Jaguar.
Everybody wants to hear it, and I am no exception! He chose Charlie Christian style pick-ups and a reverse headstock, that crazy french-man.

Here’s his blog.

Through Surfmusic101 this article by Drew Kampion came to my attention:

A few days ago, a friend told me she’d got the news that Dick Dale (King of the Surf Guitar) was in a serious fight with colon cancer, which had attacked him back in the 1960s and changed his life (he became a vegetarian, an environmental activist, and a man who lives in the moment). Dick retired from performing for a time, but got back into it during the 1980s. When Quentin Tarantino prominently featured DD’s famous “Misirlou” instrumental in his 1994 film, Pulp Fiction, Dick Dale was once again elevated into public consciousness.
…

article at Surfer’s Path

DickDale.com

The Cowabunga Surf Music Webring (which my Homepage www.kawentzmann.de was a proud member of) is going to be closed down.

I have chosen not to renew web hosting and the domain registration for
Zptduda.Com, which will be effective at the end of January. This will mean that
the Cowabunga links pages will be going away. If you have not already, I highly
recommend that you join SurfGuitar101.com and add your site to their links pages.

I will also be closing down the Cowabunga webring. If your site is currently a
member of the Cowabunga ring, please feel free to remove the banner graphic and
web ring controls from your pages.

Thanks and best regards,

When I first started on the web I only had a tiny space at Luxuriamusic’s community. I attempted to join the Ring with that, but no reaction from Dave – it was around late 2000. The old web was still going strong. I don’t remember exactly when I attempted to join again, maybe it was only 2006. He accepted my new homepage – but checking the membersites was desillusionating, showing every forth band or so had gone/broken-up without even acknowldeging the webring. Clicking through the links you got the impression of strolling through a ghost town at times. While Surfmusic101 is alive and well, it’s a site with a lively forum. And MySpace also get’s a good share of surfmusic action. So the internet habits have changed so much that it doesn’t seem worth the effort on Dave’s part? I don’t know, maybe he just has not enough time to do the maintenance.
I will remove the Cowabunga links now.

Surfguitar 101 made me aware of an article in Vintage Guitar Magazine. I don’t have it but it’s said to be really good, with big full color photos of his gear. Now, you don’t know who Dave Wronski is? He has this band called Slacktone. He’s working for Fender and plays with John Blair in Jon & The Nightriders, who were the most influential second wave surf band in the 80s, from an international view that is all I can say. Slacktone is Dave Wronski’s take on the modern Surf with strong historical references. They are one of the best, possible the best modern Surf band. He has great knowledge to get the tone he wants – and it’s amazing. He’s mainly a Jaguar player, even though he got famous with a Mosrite on the cover of Jon & The Nightriders Live At The Whiskey A Go-Go, a record any live performing surf band is hereby strongly advised to call their own.

Thanks to Ivan on Surfguitar 101 here‘s a link to Jet Harris performing one of his big hits in 1962, The Man With The Golden Arm. Fender Bass VI involved. It starts right after Hawaiian War Twist.

YouTube link

Thanks to Tiki Tena on the Surf Guitar 101 forum. Another great version of Miserlou, by the one and only Korla Pandit!

Miserlou @ YouTube

Read more on the keyboard virtuoso at www.korlapandit.com.
You might also check neatocoolvile.
Of course Wikipedia as well.

Thanks to Lou Smith on The Exotica Mailing List

NPR – Weekend Edition Sunday, July 29, 2007

Lyle Ritz has logged over 5,000 sessions on the bass as a studio musician. But for his latest project, he wanted to figure out a way to make music on a computer. So Ritz bought an Apple laptop and a software program called GarageBand, designed for making home recordings. Six months later, he completed work on a new solo album.

‘Hardly anybody knew how to operate GarageBand, how to deal with it,’ Ritz says. ‘So I had to fool with it a couple of months.’

On No Frills, however, Ritz entered the bass line into the computer using a synthesizer. That’s because the album features Lyle Ritz’s other musical passion: the jazz ukulele.

Ritz is known as the ‘father of jazz ukulele’ for merging the genre with the four-stringed instrument, and his credits on bass include multiple pop hit singles. However, it was in college, while he was working at a Los Angeles music store, when Ritz first picked up either instrument.

‘This was in the 50s, when Arthur Godfrey, the entertainer, who liked to play the [ukulele], popularized the instrument, and so many people just had to have ukes,’ Ritz says. ‘And one day I picked it up, somebody wanted to see this beautiful, nice, big tenor uke, and I picked it up and played a few chords on it, and I was gone.’

After a stint with a U.S. Army Band during the Korean War—in which Ritz played tuba—he dropped by the music store and played a few tunes on the ukulele for his former boss. Ritz didn’t know that jazz guitarist Barney Kessel, the West Coast representative for Verve Records, was present.

‘I just about fell through the floor,’ Ritz says. ‘I couldn’t believe that I had actually played before this man.’

Kessel offered Ritz a record deal, and in 1957—50 years ago—Ritz recorded an LP called How About Uke?, the first album for jazz ukulele.

How About Uke and its follow-up 50th State Jazz generated little interest, however, and Ritz soon abandoned the ukulele for the bass. It was at that point when Ritz joined the ‘Wrecking Crew,’ the legendary group of studio musicians who played on many of the pop hits which came out of the Los Angeles area from the mid 1960s to the early 80s. Later, Ritz also played on film scores.

While Lyle Ritz’s bass was heard by millions, his jazz records for Verve were being studied by a generation of musicians in Hawaii, home of the ukulele.

Roy Sakuma is Hawaii’s foremost teacher of the instrument. ‘All of a sudden here comes Lyle with all these fantastic chord harmonies that just took music to a whole new level on the ukulele,’ Sakuma says. Sakuma tracked Ritz down in 1984, inviting him to headline his annual ukulele festival in Hawaii. Ritz ended up moving to the islands for some time.

Ritz currently lives in Portland, Ore., where he continues to experiment with music and new recording technology. He says he’s always fooling with his ukulele—after all, he did teach himself to play the instrument.

‘I’m a firm believer and exponent of the art of noodling,’ Ritz says. ‘You don’t necessarily have to have a goal in mind, you don’t have to have a specific phrase or song that you’re working on, but you just fool with it and things happen. And I call the result the fruit of the noodle.’

Lyle Ritz on iTunes

Ingfried Hoffmann – Plays Jazz for Secret Agents

Fantastic organ led spy-jazz cd. Mostly Bond titles from the early movies, but some great originals too. A nifty guitar player is involved here as well!!!

iTunes link

Tiki Talk made me aware of this rare bird from Gretsch a while ago. The guitar is based on the very rare Gretsch White Penguin, which is like a small bodied White Falcon. You can see one like this in the Beat Club appearance by the Small Faces, or here.

Update by baxter from the Gretschpages:

Couple of notes on the Easton White Tiki:

Vintage White Penguins are excruciatingly rare. A real Holy Grail guitar. Few people have ever even seen one. However, they have been reissued, and modern ones aren’t particularly difficult to come by.

The White Tiki itself doesn’t share much with the penguin beyond the white paint, although it was undeniably inspired by it. It’s actually much closer to standard signature model (6128EE, in Gretsch model numbers) only with the white finish and tiki trappings that Elliot’s a big fan of.

Response to the guitar was overwhelmingly positive, () but for whatever reason Elliot and Gretsch parted ways and that was the end of that. As far as I know, only the one prototype was made.

If I hunt, I maybe able to find the revised headstock treatment I created for it.